Collection of lyrics of Ghanaian or international songs mostly organized by release dates .
Collection of lyrics of Ghanaian or international songs mostly organized by release dates .
A music recording studio seeks the services of a Sound/Audio Engineer .
Location: New Achimota, Greater Accra
Salary: will be disclosed on interview.
[contactinfo phone=” 0242376499 “]
NOTE: Come along with projects you have produced.
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The Ghana DJ Awards , an event that recognizes contributions Ghanaian DJs make to the distribution & promotion of music through radio plays, endorsement of songs & putting songs out to be enjoyed by the masses throughout the year, yesterday , announced its official list of Nominees gunning for awards at the Ghana DJ Awards 2016, at the MJ Grand Hotel .
The theme for this year’s awards is “Move to the Beat.” The main event of the Ghana DJ Awards 2016 comes off at the Accra International Conference Centre on the 18th of March, 2016.
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Here’s the Official List Of Nominees as per the Official Twitter account of the Ghana DJ Awards
Best Campus DJ of the Year: DJ Sleek, DJ Ernie, AD DJ, DJ Lord and DJ Snipes. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Int Ghanaian DJ: DJ Invisible, DJ Paak, DJ Abrante, DJ Gem, DJ Champagne, DJ Bretuoba, DJ Que Boogie & DJ Donnet. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Night Club DJ Of The Year: DJ Kenny, MrKaxtro, Frenchkiss DJ & DJ Money. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Female DJ: Deejay Teena, DJ MJ, DJ Kess, DJ Nyce, DJ Keyzzz, DJ Tipsy and Mz Orstin. #GhanaDJAwards16 #MoveToTheBeat
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Male Radio DJ: DJ Kofi, MrKaxtro, DJ Bass, Papa Bills, DJ GFT, DJ Slim, DJ Black, Andy Dosty, Imature & Sammy Forson. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best International Non Ghanaian DJ: DJ Jimmy Jatt, DJ Neptune & DJ Divalash. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Hi-Life DJ: Candyman, DJ Andy Dosty, Dave Hammer, Micky Darling, Dr Spice & DJ Koffi. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Gospel DJ: Yellow Man, DJ Kofi, Old Soldier, Agyemang, KOK, DJ Sarpee, Brother Markus & DJ Tyma. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Female Radio DJ Of The Year: Ohemaa, Doreen Andoh, Naa Klordey, Justina Ansah & Jessica. #GhanaDJAwards16 #MoveToTheBeat
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Music Promoter of the Year: DJ Kofi Temafada, DJ Blay, Kwame B, Mr Shark, DJ Advicer, DJ Mixx & DJ Nature. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Reggae/Dancehall DJ: DJ Manni, Conscious Queen, King Lagazee, Fiifi Selah, Bongo I, Empress Lomo, Ras Bonti, Rudebwoy & DJ Nature 1
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Hiplife DJ Of The Year: DJ Police, DJ Slim, DJ Advicer, Mr Shark, DJ Reuben, DJ Collins, DJ Azonto & DJ Phletch. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Pub DJ Award: DJ Ricky Augustine, DJ Mac Tontoh, DJ Atopa, DJ Godday, DJ Kay, DJ Sakawa, DJ Skinny & DJ Lens. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
DJ Discovery: DJ Massive, DJ Wabs, DJ Putin, DJ Mitchy, DJ Last Kobo, DJ Shiwaawa, DJ EllaDeeVa, DJ K-Crackk & DJ TKay. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best Event DJ: DJ Mic Smith, MrKaxtro, DJ Mensah, DJ Vyrusky, DJ Gunshot, DJ Page, DJ Mono, DJ Godday & DJ Slim #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Artiste DJ Of The Year: DJ Lotto Bills, DJ Mensah, DJ Page, DJ Justice, DJ Rudebwoy, DJ Shiwaawa & DJ Vyrusky. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Scratch DJ of the Year: MrKaxtro, DJ Black, DJ Bass, DJ Que, DJ Bryte, DJ Masta J & DJ Gospol. #GhanaDJAwards16
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Best DJ Of The Year: MrKaxtro, DJ Black, DJ Mensah, DJ Vyrusky, DJ Mic Smith, DJ Andy Dosty & DJ Collins. #GhanaDJAwards16 #MoveToTheBeat
— Ghana DJ Awards (@ghanadjawards) February 19, 2016
Producers’ Q&A is a platform where questions are put to Ghanaian Music Producers by the general public either to seek clarity or even gain information but above all , to create awareness of the Ghanaian music industry from the Ghanaian producer’s perspective.
[fancyheading textcolor=”#0e3591″ heading=”h2″ align=”textcenter”]QUESTION #4: FREE BEATS/SESSIONS [/fancyheading]
We asked Ghanaian Music Producers their take on requests for free beats/sessions and here are their responses:
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[one_fifth][artist postid=”600″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Fortune Dane”]Artistes get pissed off when they are paid half the amount for a performance, so they shouldn’t expect a producer to give them free production. [/blockquote][/four_fifth_last]
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[one_fifth][artist postid=”797″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”King Of Accra”] Artists who ask of free beats and studio sessions are not serious to me because they will not invest 100,000 into a video if they cant invest 4000 into a song or studio work. That means that they will just be playing with your beats.
If they really want to do music they will know that studio runs on electricity and not soups. I have seen artistes who are up coming ,coming to the studio swagged up costing about GH4000 in clothing and jewelry , yet, be begging for discount on a song.
Producers have to give work out to people who will know the beats worth because that beat can deliver you and your family from lack, so if you just give it to anyone for free then you are throwing away your future, even if they are paying for the beat make sure they are going to be doing something good with it so 4000 is charged ,then make sure they going to shoot a video and then it will be on tv, then you can still take your royalties because its on tv and radio and on deezer and other places to generate revenue.
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[one_fifth][artist postid=”1449″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Seshi”]I think its not bad to give out free beats to an act who will help elevate your brand . At a point ( not always tho) associating your name to a particular act raises your level of credibility.
Studio sessions? I ask ” what do we do when i’m working for you and my prepaid runs out …?” Should I use my money ??
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[one_fifth][artist postid=”1318″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Guilty Beatz”] I don’t agree with artistes who want free beat especially main stream. They got the money to pay for sessions but they won’t because they feel they doing the producer a favor [/blockquote][/four_fifth_last]
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[one_fifth][artist postid=”1474″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”TubhaniBeatz”]
I have 3 reasons why i will give a free beat.
You need to be in at least 3.
* If the artiste has a wide fan base I want to tap into.
* If I have other plans of working with the artiste on my project or my recording artiste’s project later .. ( For free )
* If the artiste effectively promotes his songs
* If the artiste is super talented
And the reverse is why u should pay me for the production.
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[one_fifth][artist postid=”1251″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Drumroll”]
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[one_fifth][artist postid=”541″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Ssnowbeatz”]It Depends, u know “the system is hard”,if the artiste is an upcoming artiste,well… its okay, throw out some free beats, but its annoying when the artiste is a main stream musician who can afford it and still pleads for free beat.. Not cool.. [/blockquote] [/four_fifth_last]
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[one_fifth][artist postid=”796″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Two-Bars”]Sometimes its very disheartening because I dont know whether the some Artiste forget that we also have bills to pay.
Sometimes you have to “pay your dues” by giving out free beats or studio sessions but they should at least realize that we also have bills to pay. lol [/blockquote] [/four_fifth_last]
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[one_fifth][artist postid=”1085″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”DennyMadeit”]I think artistes who ask for free beats are just not doing the right thing because producers already do not get enough credit.
However, I think the idea of free beats should come from a producer who will want to work with an artist due to the artist being well devoted to his/her craft and is constantly working to improve upon it.
In my view, if you’re an artist, you have to work hard enough for a producer to like you. That’s the only way I think the idea of free beats is acceptable. Because the Ghanaian music industry doesn’t take much care of producers as it does for artistes. [/blockquote] [/four_fifth_last]
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Producers’ Q&A is a platform where questions are put to Ghanaian Music Producers by the general public either to seek clarity or even gain information but above all , to create awareness of the Ghanaian music industry from the Ghanaian producer’s perspective.
[fancyheading textcolor=”#0e3591″ heading=”h2″ align=”textcenter”]QUESTION #3: 2015 ACHIEVEMENTS [/fancyheading]
We asked Ghanaian Music Producers their greatest achievements for the year 2015 and here are their responses:
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[one_fifth][artist postid=”1961″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Genius Selection”]I finally got a place i can do the kind of music i want to do (Setting up live recording studio and rehearsal space for various bands in Ghana. [/blockquote][/four_fifth_last]
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[one_fifth][artist postid=”600″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Fortune Dane”]I got to work with international acts (I’m not allowed to disclose their identity ) all thanks to Sarkodie and my fan base.
I also achieved a great deal of respect from few of the top notches running the music industry [/blockquote][/four_fifth_last]
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[one_fifth][artist postid=”2079″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Pee GH”] That would be producing
and besides that , i was involved in a couple of singles as either a recording , mixing or a mastering engineer.[/blockquote][/four_fifth_last]
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[one_fifth][artist postid=”1251″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Drumroll”]
The night at E.L’s BAR2 concert when he performed All Black would have to be it for me.Even before the show i met people who would spaz after finding out i was Drumroll (Thanks to Kuvie). I even overheard people say they came to the show because of “All Black”.
Then that beat i produced in the corner of my living room with an earpiece started playing… the whole building went ballistic. I was at the top floor watching people that were outside roll back in, the screams, comments like “Herh this track, EL do all, Drumroll be sick”. You could barely hear El, Pappy & Joey’s voices as the crowd practically recited all three verses through each hook & chorus.
Never a more accomplishing moment so far in my journey as a producer.
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[one_fifth][artist postid=”797″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”King Of Accra”] This year my most cherished accomplishment would be releasing my KING RIDDIM and making it known to my fans .
Secondly , i was also on Coptic’s album this year (Rising Stars Of GH Vol. IV).
I have tracks coming way out of Gambia and Jamaica , and from November through to January next year, the real body of work should be out.
I am happy about this.Lastly, my release of “Atswei” video because its my first Official Music video out.
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[one_fifth][artist postid=”1449″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Seshi”]In the past year, nomination for best original score for movie “if you were mine” at the last Ghana movie awards and the public’s response to “the crusade”.
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[one_fifth][artist postid=”1318″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Guilty Beatz”]The project we did for Eja and building up the studio [/blockquote][/four_fifth_last]
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[one_fifth][artist postid=”1474″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”TubhaniBeatz”]Before this year I had no idea of how a real piano worked.I was only using the virtual keyboard in fl studio (drawing). But now levels don change lol, almost all of ma productions this year were made with a real keyboard and a Drumpad.
Plus I’ve worked with more known artists as compared to last year.
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[one_fifth][artist postid=”541″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Ssnowbeatz”] My Record Label(GHG) have Signed an Artist called Renner,Great Talent and she’s already making waves within few months.Renner Has 5 songs out and I produced 3 of them. [/blockquote] [/four_fifth_last]
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[one_fifth][artist postid=”796″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Two-Bars”]My greatest accomplishment this year is getting more songs released by various artist. I haven’t really released much songs as compared to this year. [/blockquote] [/four_fifth_last]
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[one_fifth][artist postid=”420″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”Kiddie Beatz”] 2015 , I produced for two European based Ghanaian rappers. I also produced for DJ Gaddafi (Citi Fm) who is working on a project to bring talents from the Northern part of Ghana unto the Ghanaian music scene. I call it the “Northern Invasion” lol and i’ve produced 3 songs on that project so far.
Oh , and i started www.beatznation.com [/blockquote] [/four_fifth_last]
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[one_fifth][artist postid=”1085″][/one_fifth]
[four_fifth_last][blockquote align=”justify” cite=”DennyMadeit”] For accomplishments , its producing with Nel Magnum. He was my role model since Junior High School and now i’m actually working with him [/blockquote] [/four_fifth_last]
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Producers’ Q&A is a platform where questions are put to Ghanaian Music Producers by the general public either to seek clarity or even gain information but above all , to create awareness of the Ghanaian music industry from the Ghanaian producer’s perspective.
[fancyheading textcolor=”#0e3591″ heading=”h2″ align=”textcenter”]QUESTION #2: SACRIFICES [/fancyheading]
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[one_fourth][artist postid=”797″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”King Of Accra”] Yes, certainly . I sacrificed a lot to become a producer. First of all my time and secondly , all my money.
I had to sit on my behind and practice for hours. Before that, i had to frown on outing and be at hush hush studios every time Hammer had a session so as to learn and pick inspiration from him on the first hand basis.
Then it got to a time when i had to pick up courage and start on my own. I had to spend years practicing in order to get my ideas up, its all about time and money spending. Spending money on gears like midi controllers and mpc’s are necessities because they help you get in the zone and feel like a producer. When you are just clicking, the feel is not there but its mostly time because you could have someone buy all these for you, but without time to practice you will just be full of nothing or sound like the trending beats.
Thats how i became a producer and my mentors heard of me from where they were. To add to this , i had to spend time again to go see certain people for knowledge if they had time to spare: you have to go to where the knowledge is.
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[one_fourth][artist postid=”1449″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Seshi”]Sacrifices ? Yes , a lot.
I wont mention though .
Mostly time and certain privileges had to be sacrificed
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[one_fourth][artist postid=”1318″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Guilty Beatz”]I didn’t sacrifice anything to become a producer [/blockquote][/three_fourth_last]
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[one_fourth][artist postid=”1474″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”TubhaniBeatz”]Yes, i had to sacrifice my study in Information Technology to do music production full time.
I was doing very well there (School) but the passion was with music. [/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”1251″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Drumroll”]I sacrificed a comfortable life to be a producer. I apologise, i can’t go much into detail.
What i can tell you is my mother had and still has so much faith in what i wanted to achieve she entrusted me with a huge sum to kick start my life as a musician and not even a producer because i didn’t even know the first thing about using FL studio then (2010/11).
That capital could probably have taken me abroad to study in some big music school and make my comeback as certified producer or musician. I guess we’ll never know now.
[/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”600″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Fortune Dane”]I haven’t sacrificed anything. I was always strong willed and determined. [/blockquote][/three_fourth_last]
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[one_fourth][artist postid=”541″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Ssnowbeatz”]I did not sacrifice anything to be a music producer, i had this dream since day 1, i mean since birth.[/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”796″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Two-Bars”]I’m still a student at The University of Ghana and this makes me sacrifice my study time sometimes to make beats. This is really challenging [/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”1085″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”DennyMadeit”]Well, for sacrifice , i think to become a good producer, you need to devote a lot of time to develop your craft and expose your work to other producers in order to get better. [/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”420″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Kiddie Beatz”]Definitely time and money. I stay up for longer hours just to practice or learn something new ,as well as trying to keep in constant touch with a few producers such as Drumroll , itzCJ , King Of Accra and Peewee to gain more knowledge. I usually end up sleeping very late and waking up tired , but hey ! , the passion keeps me going.
Secondly in all sincerity , i didn’t think that basic music production equipment would be very expensive. I had to use almost every penny i had saved up to get started. While my mates were buying TV’s , clothes and “pimping” their rooms, i was buying a Midi Keyboard , mixer , sound card and even waking up one morning to find out my laptop had been stolen ! [/blockquote] [/three_fourth_last]
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DJ Keyzzz describes her sound as mainly electronic focusing on genres like Drum and Bass, Dubstep, Trap and Dutch House and is one of the few DJs pioneering an electronic music culture in her home country. She brings that energy through in her mixes, radio broadcasts and live showcases. Here’s one of those live sets from The Republic Bar in Accra and she calls it Dibby Sound.
[one_third][musicdjmix postid=”752″]
Producers’ Q&A is a platform where questions are put to Ghanaian Music Producers by the general public to seek clarity and gain more information but above all , to create awareness of the Ghanaian music industry from the Ghanaian producer’s perspective.
[fancyheading textcolor=”#0e3591″ heading=”h2″ align=”textcenter”]QUESTION #1: THE CHALLENGES [/fancyheading]
We asked what challenges Ghanaian Music Producers faced in the Ghanaian Music Industry and this is what they had to say:
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[one_fourth][artist postid=”1449″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Seshi”]Challenges ?
1. The absence of active of laid down laws that protect the intellectual properties of producers.
2. The absence of a royalty system.
3. Absence of a tracking system like Nielsen Soundscan.
4. Artiste refusal to pay properly or at all. [/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”797″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”King Of Accra”]Music producers face many challenges.
The first would be getting paid their due and this pertains to Ghanaian music. In my experience, when people approach you for work they want it cheap or for nothing. Big artistes let the fact that they get free beats get to their heads and they make it known to upcomers. They also expect to get work done for free. It’s not like when they sell a million copies of the tune you produced , you would see 1/4 of it because they never make any such agreements on paper.
Another problem would be Knowing the legal aspects of production. I bet many people do not know that if they make a beat , they have automatically written a song and are entitled to a fraction of sales due to their contribution on the work of art. I would advice producers to get lawyers and know the business aspect of making music and getting their worth from royalties because, your kids will come and enjoy your royalties even after your demise.
In General, i think the problems producers face will decrease if they learn.[/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”1318″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Guilty Beatz”]One major issue is royalties. I think unless a producer has an artiste solely working with him or her. Once there’s loyalty between the two, when the artiste blows up , the producer will enjoy as much.[/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”1474″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”TubhaniBeatz”]
We are not paid enough for all the work we do.
Imagine a single producer making beats , recording , mixing and mastering a song and then getting paid less than GHC300. Some even get paid less. Also, music producers don’t enjoy any form of royalty when a song they produce becomes a hit. The recording artiste takes all the money and credit.
[/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”1251″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Drumroll”]Disrespect!!..to be blunt. Producers are disrespected everyday because our talents to create is taken lightly hence the situation of artistes not paying for our services.
If producers got paid for all their hardwork, you would find us setting up our own studios, buying proper equipment to better our workflow and even help out underground artists who are less privileged to afford paying for studio sessions.
[/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”541″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Ssnowbeatz”]The common challenge music producers encounter is not getting the chance to exhibit their talent , especially if that producer is an upcoming producer.[/blockquote] [/three_fourth_last]
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[one_fourth][artist postid=”796″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”Two-Bars”]Personally, I think the only problem that producers face in Ghana is the inability of the artiste to recognize and appreciate them.
For instance, if you want to give an artiste a beat and you call him/her, the kind of behaviour they put up is really embarrassing.They make it seem like you’re begging them to be on your beats. Some artistes forget that these are the same beats that give them the hit songs. [/blockquote][/three_fourth_last]
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[one_fourth][artist postid=”1085″][/one_fourth]
[three_fourth_last][blockquote align=”justify” cite=”DennyMadeit”]
The challenges we face as producers in Ghana has to do with appreciation, encouragement and endorsements.We don’t get enough props from the general public for most of our hard work.[/blockquote] [/three_fourth_last]
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DJ Keyzzz is steadily gaining the reputation amongst her peers as one of the most talented and focused female DJs in Ghana. She was recently featured in The Africa Report magazine as one of the few women on the continent changing perceptions about female DJs.
Just a couple weeks after performing at Ghana’s only Electronic Music festival, Future Fest, she releases 2 live sets dubbed Skank Life and Trap Keyzuz. She describes her sound as mainly electronic focusing on genres like Drum and Bass, Dubstep, Trap and Dutch House and is one of the few DJs pioneering an electronic music culture in her home country. She brings that energy through in her mixes, live showcases and festival appearances.
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She currently works with Accra Dot Alt as one of their on-call DJs and has played festivals such as the ChaleWote Street Art Festival and Sabolai Radio music festival (formerly Indie Fuse). She also plays at the Republic Bar in Accra, a spot well noted for it’s great alternative music and ambience.
DJ Keyzzz is the founder and creator of Beat Phreaks, a brand that spotlights talent and showcases Artistes, Dancers, DJs and Producers that are breaking grounds in their respective art-forms.
DennyMadeIt releases his first ever Beat Tape titled “Summer and Hair” on the 26th August 2015.
According to DennyMadeIt, “Summer and Hair” was a pretty simple title to choose as he actually had plans of growing an Afro during summer, an idea his mother disliked as she thought he wouldn’t look like a “Good Boy”.
[blockquote align=”center” cite=”DennyMadeIt” animation=”bounce”]It was mainly based on the fact that i didn’t have one all this while[/blockquote]
DennyMadeIt hopes “Summer and Hair” will appeal to everyone and break the notion that only “Music People” enjoy listening to just beats. He there approached the beat tape in a way that there will be something for every music listener to enjoy.
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Ghana’s mixtape King, DJ Bibini is currently prepping to drop his 5th Mixtape “Made In Ghana Mixtape 3″ (not a DJ Mix) , which features some of Ghana’s finest rap wordsmiths and record producers this September.
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He’s also tweeted he will be releasing a Made In Ghana Mix which he enphasized it’s a DJ Mix and features some of the biggest Ghanaian music in 2015.
Watch out for more great music from the people’s DJ and Here’s “Made In Ghana Mixtape 3″ artwork designed by Anajo Black.
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